From the Avant-garde to the Yugoslav Literary Right
Correspondences Between Poetic Concepts and Fascism in the Magazine Ideje, 1934–1935
DOI:
https://doi.org/10.23777/sn.0225/art_msok01Keywords:
Yugoslav literature, avantgarde, reactionary modernismAbstract
In the magazine Ideje (Ideas), edited and published in Belgrade in 1934 and 1935 by the prominent author Miloš Crnjanski, Yugoslav avant-gardists published numerous texts expressing right-wing views on aesthetics and politics. Literary historians such as Milo Lompar argue that the editors and contributors of Ideje were unjustly accused of being fascist propagandists. As this article demonstrates, a significant feature of these texts in Ideje is the incorporation of race theory and biological criteria – viewed as cultural constants – as factors influencing political life. The analysed authors specifically engage in a critique of liberal policies and advocate for the rebirth of Europe in the spirit of a new authoritarianism, antisemitism, and corporatism. These positions align with the broader trend of reactionary modernism that was prevalent in European literature at the time.
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Copyright (c) 2025 Mirnes Sokolovic

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