Editorial


S:I.M.O.N. is an e-journal of the Vienna Wiesenthal Institute for Holocaust Studies (VWI). It appears twice a year in English and German language. S:I.M.O.N. aims at both a transnational and comparative history of the Holocaust and Jewish Studies in Central and Eastern Europe within the broader contexts of the European history of the 20th and 21st century, including its prehistory, consequences and legacies as well as the history of memory.

S:I.M.O.N. serves as a forum for discussion of various methodological approaches. The journal especially wishes to strengthen the exchange between researchers from different scientific communities and to integrate both the Jewish history and the history of the Holocaust into the different “national” narratives. It also lays a special emphasis on memory studies and the analysis of politics of memory.  S:I.M.O.N. uses a double-blind review system, which means that both the reviewer’s and the author’s identities are concealed from each other hroughout the review process.

Shoah: The journal deals with the history of the Shoah from multidisciplinary, transnational and comparative perspectives. It seeks to integrate studies on Jews as well as on other groups of victims of the Holocaust, especially on Roma, and of so far less researched regions of (East) Central and (South) Eastern Europe.

Intervention. The journal reports on research projects and their transmission into public events. It also informs about current educational and remembrance programs.

Methods. The journal serves as a forum for the discussion of methodological approaches as, for instance, the everyday history, oral history, gender history, the history of violence, anti-Semitism and racism and the theory of memory and memory politics.

DocumentatiON. The journal contributes to critical approaches on using and interpreting archival materials in the 21st century. 

Download the current issue S:I.M.O.N. 2017/1.

Articles

Download PDFBoth during the Soviet era and after its collapse, there has been no room for Holocaust remembrance in Russia's collective memory; memorials and textbooks only marginally touch on the topic. In 2008, quantitative research across Russia investigated the relationship between tolerance and Holocaust knowledge within the Russian population and concluded that the majority of Russians were not aware of the Holocaust, its victims and their numbers. Considering the fact that the current territory of Russia includes at least 400 sites of perpetration of the genocide of European and Soviet Jews, these results urge the question of the causes for this suppression.

The city of Rostov-on-Don served as an example in order to address the question of how people now remember the former site of the extermination of the Jewish population. This southern Russian city became the site of a massacre in August 1942, when members of the special commando 10a, part of Einsatzgruppe D annihilated the Jewish population of the city within three days. In the context of qualitative research undertaken in Rostov, 25 narrative interviews were conducted with citizens of Rostov from a range of age groups between September and November 2011. It was the aim of the interviews to record the existing narrative and individual memories of this crime and to compare and contrast these with the official culture of remembrance.

SWL-Reader

Download PDFIn 1992, the government of the Federal Republic of Germany decided to dedicate a memorial to the victims of the genocide of Sinti and Roma. The Memorial for the Sinti and Roma of Europe murdered under National Socialism by the artist Dani Karavan was inaugurated in October 2012 in the centre of Berlin, near the former Reichstag building. The planning and construction phase spanned two decades, during which many discussions addressed the significance awarded to the Nazi persecution of “gypsies” next to the Holocaust. These discussions reached an apex in a controversy enacted via media between Yehuda Bauer (then the director of the International School for Holocaust Studies in Yad Vashem) and Romani Rose (the head of the Central Council of German Sinti and Roma). This paper critically reflects the debates in light of new research results on the genocide of Sinti and Roma.

Events

Download PDFDuring the clerical-fascist Slovak State, "Tóno" Brtko, a docile and poor carpenter, is offered the possibility to 'aryanise' the small Main Street sewing accessories shop of Rozália Lautmannová. Torn between his good-natured principles and his greedy wife Evelyna, he finally agrees to take over the shop by making the deaf and senile lady believe he is her nephew arriving to help her out. Yet he then discovers that the business is bankrupt, and Ms. Lautmannová is only relying on donations from the Jewish community. While letting his wife believe he is making money from the shop, he gradually becomes a supporter of the old lady. More and more, a cordial relationship between the two evolves. When the Slovak authorities finally decide to deport the Jewish population of the small town, Tóno, in a deep conflict with himself and his values, finally opts for hiding Ms. Lautmannová – a decision which turns into tragedy. Obchod na korze won the 'Oscar' for Best Foreign Language Film in 1966. The film was presented on the occasion of a VWI-Visuals presentation on 29 January 2015 in Vienna's Admiralkino.

Downloas PDFDownloas PDFAn inhospitable place: now void and empty, long-buried layers are surfacing again. The former office of the Communist Party can only be adumbrated; a monumental bar is all that remains of the former dance hall, the later installation of a supermarket disrupted the original spatial arrangement and the elaborate floor plan, leaving behind the scent of flesh, dusty heater fans and open fuse boxes. What could not be used was sealed off, producing dead spaces, vacant areas. Only traces on the walls, cracks and defects on the ceilings, rusty handrails and swinging doors speak from the deepest, original layer of the edifice. The synagogue, dedicated in 1932, accommodated 600 believers. Embedded in a residential building, the construction thus escaped complete destruction in the Viennese November Pogrom of 1938. But its extinction is nevertheless obvious and undeniable: less than a century later, quasi-archaeological methods and complex simulations are necessary to identify the former sacral building. With the removal of each layer  – of the former supermarket, of the chemist’s shop, of the dance hall or the party office – a deeper layer come’s to the fore, exposing the monstrous desecration of the original function of this place. The great fire that destroyed the original installation in the November Pogrom was on the beginning: its desecration was continued thereafter through forgetting, ignoring, neglecting what was once here, because nobody remained after 1945 for whom this original layer was of any importance, who could give back this space its unique sacredness.